Institute for Postnatural Studies, playlist: Alchemical Metabolism – In Conversation with Emanuele Coccia by Jan Araújo, Lena Becerra, Helen Yin Chen, Tuçe Erel, Helene Schulze (thumbnail)
Alchemical Metabolism – In Conversation with Emanuele Coccia by Jan Araújo, Lena Becerra, Helen Yin Chen, Tuçe Erel, Helene Schulze
00:00 / 60:30
Institute for Postnatural Studies, playlist: Pangea Erotica by Elena Falomo, Fabiana Mapel, Joy Pepe, Inês Barros, Sabrina Basilio, Courtney Mackedanz (thumbnail)
Pangea Erotica by Elena Falomo, Fabiana Mapel, Joy Pepe, Inês Barros, Sabrina Basilio, Courtney Mackedanz
00:00 / 44:49
Institute for Postnatural Studies, playlist: Stromatolites and Other Lovers by Sara Willa, Martina Camani*, Joanna Wierzbicka, Javiera Peón-Veiga, anna ivanova (thumbnail)
Stromatolites and Other Lovers by Sara Willa, Martina Camani*, Joanna Wierzbicka, Javiera Peón-Veiga, anna ivanova
00:00 / 19:54
Institute for Postnatural Studies, playlist: What the Land Remembers When We Cannot by Jess Zamora-Turner, Valerie Prinz, Kutlwano Ramphele, Irina-Anca Bobei, Tamara Kalo, Abri de Swardt (thumbnail)
What the Land Remembers When We Cannot by Jess Zamora-Turner, Valerie Prinz, Kutlwano Ramphele, Irina-Anca Bobei, Tamara Kalo, Abri de Swardt
00:00 / 62:09
Institute for Postnatural Studies, playlist: Rift Matter by Lhotse Collins, Anna Karinvinge, Hailey Basiouny, Sondi, Alessandro (thumbnail)
Rift Matter by Lhotse Collins, Anna Karinvinge, Hailey Basiouny, Sondi, Alessandro
00:00 / 35:08
Institute for Postnatural Studies, playlist: Rest as Return by Julian Rieken, Vika Privalova, Yoojin Lee (thumbnail)
Rest as Return by Julian Rieken, Vika Privalova, Yoojin Lee
00:00 / 65:53

PAULINE RUFFIOT

Institute for Postnatural Studies, activity: PAULINE RUFFIOT (hero landscape)

GENERAL INFO

LOCATION

Institute for Postnatural Studies, Madrid

DATE

Spring 2022

TYPOLOGY

Research Residency

ARTIST

Pauline Ruffiot - Switzerland

Institute for Postnatural Studies, activity: PAULINE RUFFIOT (fig. 1)

Reading tentacles. Courtesy the artist

STATEMENT

Slime molds are neither animal, plant, fungi, nor bacteria: they make for great partners to explore such questions as they are so hard to classify, and so different. No brain, only chemical-sensing, no hands, only tentacles. Closely watching their growth patterns, I wondered about their perceptions and motivations, alternating between contemplative drift and quasi-scientific curiosity. My readings of the tentacle patterns are as telling as cloud watching or palm reading. They reveal as much about me as a Rorschach test.

To take a step back from my too human interpretations, I enrolled artificial intelligences as intermediaries. The first one is based on generic image recognition models : they look, analyze and classify any submitted image according to the few hundreds of categories they know. Their inability to identify slime molds opens new ways of perceiving by escaping the frame of scientific and taxonomy practices, forgetting about kingdom, genus, phylum.

The second AI is specialized in text generation, trained on millions of pages, and fine-tuned with biology essays, shape-shifting tales and a few witch’s spells. When asked “What is life?”, it answers to the best of its absorbed knowledge, starting each answer from a different point without questioning the adequacy of its statements. Meanwhile, both us humans and slime molds can keep sensing around without certainty. To challenge our too-certain knowledge and try to work with our too-human representations of the world we live in, thinking through tentacles to advocate for equivocal answers and complexity.


Institute for Postnatural Studies, activity: PAULINE RUFFIOT (fig. 2)

Reading Tentacles. Courtesy the artist

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